Archive for December 28th, 2009
Affordable 3D Beam-Splitter Rig For Red One Cameras by 3D Film Factory
3D Film Factory has released the first production-ready, cost-effective, durable and precise 3D camera system – the 3D-BS Pro Rig. This 3D beam-splitter rig was specifically designed for use with the Red One cameras, as well as, other larger, broadcast quality cameras.
“Up until now, there’s only a few high-end facilities offering 3D rigs for Red One cameras and they’re very expensive. So we set out to create a quality 3D Red system most filmmakers could afford. We’re interested in proliferating 3D production by making it accessible. The result was the 3D-BS Pro Rig, a great 3D rig for the Reds, that shoots incredible 3D at a fraction of the cost,” said company president Karl Kozak.
The company’s new 3D-BS (beam-splitter) Pro Rig allows users to manually adjust both the camera convergence settings (1° to 5°) and the inter-ocular (camera-to-camera) distances from 0″ to 6″. It’s constructed of black anodized aluminum that’s virtually indestructible, with a weight of approximately 32 lbs. Its durable frame adjusts to fit almost any pair of large-sized, broadcast quality cameras, including but not limited to; Red One, Sony, Canon, Panasonic, Silicon Imaging and JVC.
“It’s really that easy to start shooting 3D images, you just need a few good tools and some training”, said Kozak. “Of course, to achieve superior 3D, you’ll need a stereographer. We use one on all of our 3D productions, because the cinematographer can’t do it all. As a result, we hire out professional stereographers for 3D training and 3D productions worldwide.”
More about the 3D-BS Pro Rig at 3DFilmFactory.com.

photo courtesy of 3DFilmFactory.com
Robin Hood 3D?
We’ve heard rumors George Lucas is working up a 3D version of the original Star Wars films, but now similar rumors are brewing. This time, they’ve brought some friends – new rumors of Terminator 2 getting dimensionality, and a claim that Ridley Scott is “breathing down the neck of executives at Universal to get them to approve making a 3D version of his new $200 million epic, Robin Hood
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